See, this is the kind of rock & roll star we're stuck with today: Prince. Ah, do I long for the days of the King.
Now I don't want to get off on a rant here, ma'am, but
from his lean and hopeful beginnings to his sad and
bloated end, Elvis Aaron Presley's life story fits our
criteria for mythos and allegory like a skin-tight,
jewel-encrusted, pit-stained, white-leather jumpsuit.
Elvis blew the lid off the sexually repressed, uptight
'50s, set the stage for the upheavals of the '60s, and was
the excesses of the '70s. Elvis lives in our consciousness
as icon, cautionary tale, alter ego and punchline,
embodying a litany of contradictions: a great talent with
a boundless capacity for schlock, a transcendent live
performer who starred in some of the most god-awful movies
known to man, a rebel who willingly served his
country, and most enigmatically, a man who liked white
gravy on top of his brown gravy.
Now, according to the biographers, Elvis was a big eater
from the beginning of his life to the end. It's just that
in his 20s, he had the metabolism to burn all those calories
off. When I was in my 20s, I ate six cheeseburgers
a day and drank three quarts of buttermilk, too, but instead
of launching into a successful career as an
international superstar, I used up the calories jerking
off in my room. Different paths. No regrets.
How big an Elvis fan am I? Just ask my sons, Tuinol and Seconal Miller.
When Elvis first appeared on THE ED SULLIVAN SHOW, they
had to shoot him from the waist up because
CBS felt America wasn't yet ready for the gyrating pelvic
thrusts of a hormonally crazed banshee. Pretty much
the same reason that CBS to this day still insists Dan
Rather never come out from behind his desk.
Highbrow music critics have always looked down their noses
at Elvis, but the truth is, he had much in common
with history's greatest composers. Like Mozart, Elvis
was a performer whose energy and stage presence
brought him fame at a young age. And like Dvorak, Elvis
synthesized African-American tonal idioms with
European performance tradition. And most striking of all,
Elvis and Johann Sebastian Bach were both deeply
religious men who both wrote chamber works for the Margrave
of Brandenburg that were virtual textbooks of
late baroque-era polyphonic counterpoint. Also, Presley
and Bach--both monster pussy hounds.
Elvis is the most important musical force of the past 100
years. Look around. You don't see any Beatles
impersonators, do you? Except for, you know, Oasis.
Incidentally, ever notice all the Elvis impersonators portray
him in that '70s blue-sequinned painkiller haze? It's
a lot easier to impersonate that Elvis than the raw, sexually
primed Elvis of the '50s. In fact, nobody does Elvis
from the '50s, because they can't. After the '50s, even
Elvis couldn't do Elvis, and he pretty much became the
world's highest paid Elvis impersonator.
Oh, by the way, is Elvis still alive? No, he isn't. If
he was alive, he would have showed up and stopped his kid
from marrying Michael Jackson. You know, even though he's
dead, I'm shocked he didn't show up to put the
kibosh on that freak show.
Elvis still exerts a mystical pull on us. An estimated
700,000 visitors file through Graceland each year. Or to
put it another way, that's nearly 800,000 teeth.
How tastelessly did he decorate Graceland? It's like if
the guy who put THE PRICE IS RIGHT showcases
together was blind. Elvis bought shit for his home that's
so hideous, they won't even sell it in the Graceland
giftshop. Hey, I've seen black velvet paintings of Jesus
in clown makeup playing poker with dogs and
big-eyed kittens that are less tacky.
Was Elvis a musical force of nature, a bridge between two
cultural heritages, or just a lucky hick who
stumbled into the right recording studio at the right
moment in history? The answer is the same one Elvis might
have given when confronted with the five-page menu from
Skeeter's International House of Waffles And
Deep-Fried Arterial Plaque. "I'll have all of the above,
my man, with a side order of more."
In summing up about Elvis, let me say this before I leave
the building. When the post office made us vote for
which Elvis stamp we wanted, I voted for fat Elvis, and
I was really disappointed when he didn't win. Sure,
any country can put out a stamp with a trim, young, sexy
star on it. But to be a citizen of a land that proudly
sticks on its mail an overweight, reclusive, constipated,
pill-addicted, television-shooting,
two-pounds-of-bacon-at-one-sitting-eating, God-damn American
legend--well, I think the King would have
wanted it that way. Thank yuh, thankyuverymuch.
Of course, that's just my opinion, I could be wrong.